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Paola Anziché

TESSUTO COMUNE

€ 13

Paola Anziché

COMMON THREADS

€ 13

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32 pp.
19 x 28 cm
colour and bw printing
ita/eng

2024
ISBN 979-12-81790-12-4

Human life on Earth depends on biodiversity and its health. However, this pre-cious variety of life forms has been endangered for too long and is disappearing at an alarming rate. This awareness has gradually prompted me to reconsid. er the use of materials in my artistic practice, opting for natural, plant-based materials. This publication reflects on materiality, awareness of gesture and a sense of care in my artistic pratice. Through an exploration of the organic, of the intelligence contained in craftsmanship, I propose a collaborative and conscious art practice that seeks to connect with the natural world in a respectful and sustainable manner. Inside this publication there are the contributions by Cecilia Canziani, Ana Gonçalves Magalhães and Paola Anziché.

Chiara Camoni

Inizio fine. Rotondo. Tutte le cose del mondo

€ 20

Chiara Camoni

Inizio Fine. Rotondo. Tutte le cose del mondo

€ 20

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Co-published with Palazzo Collicola, Spoleto
Edited by Saverio Verini

52 pp.
19 x 28 cm
Colour and bn printing
ita/eng

2024
ISBN 979-12-81790-22-3

Inizio fine. Rotondo. Tutte le cose del mondo (Beginning, End. Round. All Things of the World) is the exhibition that artist Chiara Camoni conceived for the Piano Nobile of Palazzo Collicola on the occasion of the 67th Festival dei Due Mondi. The title, similar to a lullaby or nursey rhyme, anticipates the course of the exhibition, based on circularity, accumulation and reiteration, with the works accompanying the visitor through the rooms in a dreamy and ancestral atmosphere, populated by spirits, divinities, souls, and animals. References to the natural and plant world-a fixed presence in Camoni’s production-meet with the splendour of the rooms of Palazzo Collicola, in an unprecedented dialogue that also features a conspicuous body of works made especially for the exhibition. The Piano Nobile and the artist’s works thus form a special alliance: the relationship with the architectural space is underlined by a long snake made of different materials and media which, ‘crawling’ in all the rooms, marks the path of the exhibition.

Roberto Fassone

Concerto

€ 20

Roberto Fassone

Concerto

€ 20

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Co-published with Palazzo Collicola, Spoleto
Edited by Saverio Verini

52 pp.
19 x 28 cm
Colour and bn printing
ita/eng

2024
ISBN 979-12-81790-19-3

Concerto, Roberto Fassone's first solo exhibi-tion in a public museum was created with the idea of retracing the artist's first fifteen years of activity. The exhibition hosts a selection of works-one per room-representative of his singular artistic practice. Like songs that follow one after the other during a concert, the works of Concerto traverse Fassone's entire artistic production, outlining the salient features - as well as the uniqueness-of his poetics, inviting visitors to embrace his ironic, surreal, psychedelic universe.

Francesco Cavaliere

Popoli di Vetro

€ 15

Francesco Cavaliere

Popoli di Vetro

€ 15

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Category: Artist's books

Popoli di Vetro is an artist's book in the form of a fantastical novella. Here, the writing generates an imaginative world in which glass is the pervasive element the protagonist must deal with.
Tan – also known as Metastasio – moves freely in an abyssal setting, searching for springs and fountains he collects as if they were treasures to be kept. His relationship with water becomes irresistible since, as a child, he accidentally swallowed glass.
In a succession of phantasmagoric visions, changes in material state, blinding mirages, and intermittent darkness, Tan encounters hybrid entities—animals/women/men/animated objects—that form the peoples of glass.
In this book, Cavaliere consolidates his writing practice as an artistic sign. The text is offered as an object for decoding both word and vision; the realm of literature overlaps with that of art, and reading becomes an act of imagination.

Kolxoz Collective

QUASI-BOOK

€ 15

Kolxoz Collective

Quasi-Book. On Poetry, Bureaucracy and Alibism

€ 15

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Co-published with Mahler & LeWitt Studios
Edited by Alice Mazzarella, Guy Robertson

126 pp.
12 x 20 cm
eng

2024
ISBN 979-12-81790-10-0

Quasi-Book is an artist's book by Kolxoz Collective, the last part of the residency project of the same title curated by Mahler & LeWitt Studios and Viaindustriae in 2021. The residency took place in the spaces of Sol LeWitt's studio in Spoleto and was intended as a platform for the dissemination and contextualisation of artistic publishing practices. After iterating as an open studio, a temporary bookshop, a platform for sharing and discussing book-making practices, and a space for convivial moments, the Quasi-Book project has now become an ‘actual’ quasi-book. Its chapters are quasi-chapters, collecting materials according to the predominant characteristics and techniques employed by Kolxoz Collective. For example, their promotion of a communal ‘inter-language’ as a way to facilitate new ways of communication and collective identification (Glossary); the use of the postal service to deliver materials, artworks and drawings to collaborators (Post Bridge); the thermal printing technique used by Kolxoz as a transportable publishing desk (Other Books); and drawing-statements which merge short texts and visual information (Diagrams). These materials are accompanied by an extract from a conversation – posited as a ‘live dictionary’ – between Kolxoz Collective, Viaindustriae, and the Mahler & LeWitt Studios.

Out of stock

Jonathan Monk

Sol LeWitt Rules

Out of stock

Jonathan Monk

Sol LeWitt Rules

Out of stock

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Out of stock

Co-published with Mahler & LeWitt Studios
Edited by Vittoria Bonifati
Produced in the occasion of the exhibition SL, Jonathan Monk, Torre Bonomo, Spoleto
All’interno del programma Mahler & LeWitt Studios per il Festival dei due Mondi
Photos by Giuliano Vaccai

208 pp.
10 x 21 cm
eng

ISBN 979-12-81790-07-0
20€

Category: Artist's books

Jonathan Monk's first show with Yvon Lambert’s Paris gallery was in 1997 and the artist continued working with him until he closed in 2014. At some point in the early 2000’s Yvon gave Monk a ruler, stamped into the top are the initials SL and he was told that twenty years earlier Sol LeWitt left it behind after installing a show. This 30cm ruler was the starting point for the publication and the edition of 100 ceramic rulers it documents. Jonathan Monk’s rulers aren’t straight, they don’t have any numbers nor lines on them and each one is slightly different to the next. The process used is the one of extrusion, pushing manually the clay through a metal profile made exactly as the original ruler given to the art­ist by Yvon Lambert. Sol LeWitt Rules was produced at the historical ceramic workshop La Gioconda in Deruta, which in the 1980s worked closely with Sol LeWitt for his production of ceramic plates and tiles. This book includes 100 photographs of the 100 rulers made on the occasion of Jonathan Monk’s exhibition SL at the Torre Bonomo in Spoleto. The quicker you flick through it, the faster it moves. 

Jonathan Monk

Bundle: artist's edition+book

€ 140

Jonathan Monk

Bundle: edizione d'artista+libro

€ 140

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Sol LeWitt Rules, 2024, ceramica
Edizione di 100 + 20 AC, prodotta da Fabio Veschini e La Gioconda, Deruta
Prodotto in occasione della mostra SL, a cura di Vittori Bonifati Torre Bonomo, Spoleto

Category: Artist's books

You can now purchase the Sol LeWitt Rules project bundle, which includes the artist's edition and Jonathan Monk's artist's book.

A new series of sculptures by Jonathan Monk titled Sol LeWitt Rules (ceramic, approx. 30 x 3 x 1.5 cm, 2024), produced by Fabio Veschini at the ceramic workshop La Gioconda in Deruta which worked closely with Sol LeWitt on the production of ceramic plates and tiles. Monk created the edition as part of his residency at the Mahler & LeWitt Studios and subsequent exhibition ‘SL’ in the Torre Bonomo for the Spoleto Festival dei Due Mondi 67, curated by Vittoria Bonifati. The exhibition explored the direct and indirect connections between the work of Monk and LeWitt (see installation photographs of the rulers in ‘SL’ below and the related exhibition page here).

Together with the rulers' edition, the artist has produced an artist's book of the same title, published by Viaindustriae, which can also be purchased individually at the following link: https://viaindustriae.it/books/sol-lewitt-rules

If interested in the artist's edition only, please contact: info@mahler-lewitt.org. Sol LeWitt Rules is an edition of 100 and has been generously donated to the Mahler & LeWitt Studios by the artist. All proceeds support our programs. Each ruler is available for a donation of 120euros, plus postage and packaging. To donate and receive an edition, please email info@mahler-lewitt.org with your postal address and you will be sent a unique donation link.

Luca Trevisani

SALAD OF FOSSILS

€ 35

Luca Trevisani

SALAD OF FOSSILS

€ 35

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Co-published with COLLI Publishing Platform

168 pp.
21 × 28 cm
ita/en

2024
ISBN 979-12-81790-03-2

Category: Artist's books

Back in 2017, the research team composed of Luca Trevisani, Mario Ciaramitaro and Giulia Morucchio exposed themselves to hundreds of artworks in search of examples of works capable of creating tension, a centrifugal force for anyone who might encounter them without any introduction or notice. Works that reach out to someone, seek attention, set a trap for someone. This approach, conceived by Luca Trevisani, became a collective studio practice of learning and teaching, open to wild and unexpected suggestions and ideas revolving around the possibility of finding these tensions, this gravitational field. Luca Trevisani and Mario Ciaramitaro printed, composed, and photographed this illustrated itinerary on the wall, unfolding the cartography of these remote and powerful encounters on the perimeter of our Iuav classrooms. All that remained was to photograph this map, reprint it, lay it out, and then offer this flow of lively and rebellious images. The process originated from the images that have been collectively sought for several months. While Mario and the students engaged in their role-playing as iconauts, with Giulia Morucchio, persisted in collecting and reworking texts, captions, and overheard legends, always mindful that every beautiful story holds an element of truth. What you read below are the traces, the details, and some of the clues that comprise our collection of fresh fossils and the salad we crafted from them.

Caretto/Spagna

Bright Ecologies. Caretto/Spagna: Experiences, Forms, Materials

€ 30

Caretto/Spagna

Bright Ecologies. Caretto/Spagna: Experiences, Forms, Materials

€ 30

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SUMMER BREAK SALE:
€ 30 / € 24

Co-published with les presses du réel
Edite by Giorgina Bertolino, Francesca Comisso, Cecilia Guida, Alessandra Pioselli
Texts by Alice Benassia, Giorgina Bertolino, Francesca Comisso, Giusi Diana, Cecilia Guida, Tim Ingold, Alba L’Astorina, Marie Anne Lanavère, Alessandra Pioselli, Riccardo Venturi
Supported by Direzione Generale Creatività Contemporanea del Ministero della Cultura, nell’ambito del programma Italian Council (dodicesima edizione, 2023)

368 pp.
20,5 × 28 cm
ita/en

2024
ISBN 979-12-81790-02-5

Caretto/Spagna are precursors of ecologically engaged artistic practices. They see art as a radical experience of openness, undisciplinated research and involvement with the “things” of the world: the earth, seeds, people, stones, the museum, the river, the quarry, the tree, micro-organisms. Bright Ecologies traces and documents twenty years of their work, structured in research involving care, the transformation of matter, and experiments with form, through practices based on encounter, process, parcticipation and co-authorship.

Luca Pucci

Quattro

€ 16

Luca Pucci

Quattro

€ 16

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44 pp.
29 x 7 cm
ita

2020

Category: Artist's books

Ogni anno, al Carnevale di Sant’Eraclio (Foligno, PG), sfilano carri allegorici. Vengono fatti in cartapesta usando tre tipi di giornale: bianco (La Nazione), giallo (Il Sole 24 Ore), rosa (La Gazzetta dello Sport). Quattro prova ad aggiungere un quarto colore. Quattro può essere acquistato con o senza multiplo in edizione limitata.

Andrea Martinucci

TURBOMONDI (STRATIGRAFIA)

€ 20

Andrea Martinucci

TURBOMONDI (STRATIGRAFIA)

€ 20

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Edited by Lisa Andreani, Mari Vittoria Di Sabatino
Research partner Iuno
Supported by Regione Lazio, Vitamina G (2022)
Promoted by LIMBO ETS

184 pp.
19 x 27 cm
ita/eng

2023
ISBN 978-88-97753-99-5

Category: Artist's books

Turbomondi (Stratigrafia) encompasses the project artist Andrea Martinucci developed between 2020 and 2023, dedicated to a research of suspended worlds populated by creatures investigating their integrity in a continuous evolution among themselves. Turbomondi is a collection of film treatments by the artist and screenwriter Laura Sinceri. It took the form of a unique screenplay that, from 2021, was entrusted to twelve people who interpreted it in a specific time frame, allowing them to write comments, make observations, remove pages, draw or even destroy parts of it. The layering of different voices and impressions that virtually redefines the meaning of the original text is transformed into a personal archive and a publication that traces the evolution and the plural transformation of its contents. Project contributions by Alice, Lisa Andreani, Maria Vittoria Di Sabatino, Aurelio Di Virgilio, Francesca Ferrari, Giulia Geromel, Marialaura Grandolfo, Pietro Librizzi, Zeno Piovesan, Cecilia Saita, Carla Subrizi, Cosimo Rizzo.

Francesco Cavaliere

Il Grillo Minerva

€ 30

Francesco Cavaliere

Il Grillo Minerva

€ 30

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Co-published with Holydays
Supported by Fondazione Cassa di Risparmio di Foligno

56 pp.
11 x 19 cm
ita

2023

Category: Artist's books

Il Grillo Minerva is a story about an unknown city. A city built from animal stones. Two brothers, on a break from a long journey, somehow discover its existence. Artist's book by Francesco Cavaliere, printed in 100 copies

Luca Boffi (Alberonero)

CARO CAMPO

€ 30

Luca Boffi (Alberonero)

Caro Campo. Workbook

€ 30

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368 pp.
13,5 × 24 cm
ita/eng

2023
ISBN 978-88-97753-97-1

The editorial project Caro Campo. Workbook stems from the artistic project Campo: a human, artistic and environmental experience lived by Alberonero from 2019 to 2021 in Campogalliano (near Modena, Italy), in symbiosis with a field of 290 poplars until they were cut down. During “Campo” project, daily immersed in the field of poplars, Alberonero has accompanied its natural changes by transforming the field’s portions through the creation of 20 temporary artworks. The book evokes the portable proportions of the “field notebooks”, the resistant books capable of listing the “trans-actions”, the movements meant both as a “poetic” experience and as a work diary.
“Caro Campo. Workbook” is produced by STUDIO STUDIO STUDIO, published by Viaindustriae and supported by the Italian Council (11th edition, 2022), the program aimed at supporting Italian contemporary art in the world promoted by the Directorate-General for Contemporary Creativity within the Italian Ministry of Culture. Cultural Partners: Arte Sella – The Contemporary Mountain, Borgo Valsugana (TN), Italy; Associação Anda&Fala, Azores Island, Portugal; Domaine de Boisbuchet, Lessac, France; CENTRO DE INVESTIGACIÓN ARTE Y ENTORNO, Universidad Politécnica de Valencia, Valencia, Spain; University of Balamand, Tripoli, Lebanon; Taller Chullima, La Habana, Cuba.

Mattia Pajè

Pila Thinkerwiller

€ 10

Mattia Pajè

Pila Thinkerwiller

€ 10

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20 pp.
21 x 29,7 cm
ita

2023

Pila Thinkerwiller is a work composed of two metal plates, one copper and one zinc, placed at the north and south ends of the village of Toscolano. These two elements are placed at the north and south cardinal points to imagine the village as a large stack, the positive pole of which is the copper plate and the negative pole is the zinc plate. Both were engraved from the artist's drawings. The copper plate depicts the ideas and wishes of the inhabitants with respect to their village, collected by Pajè during his stay. The zinc plate, on the other hand, shows geometric shapes, numbers, and diagrams derived from the artist's research into spiritual, magical, and pseudoscientific theories. This investigation interests the artist both aesthetically and speculatively. Indeed, the theories he has studied have given rise to a series of graphic elements that, according to Pajè, have potential formal value, usable as a veritable visual alphabet. They also bring to light central themes in contemporary times, such as the construction of official discourse on truth and the different and unusual forms of encoding reality, time and history. The use of copper and zinc alludes to the first static electricity generators invented in the late 18th and early 19th centuries by Alessandro Volta and John F. Daniell. Another reference is the initiatory techniques of a small mountain community in the Caucasus, recorded in a 1955 manuscript by S. C. Walewski, for whom copper and zinc are the basis for the construction of analog devices that generate a microcurrent in the human body, useful for rebalancing vital energies and amplifying the intentions of the user. Pila Thinkerwiller reworks this technique, poetically transferring its supposed operation from the human body to the inhabited suburb. Pila Thinkerwiller isan amplifier of ideas, a portrait of a time, a place, and a community.

Juan Sandoval

Earth Field Land Clay

€ 15

Juan Sandoval

Earth Field Land Clay

€ 15

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96 pp.
14x20 cm
eng/esp

2023
ISBN 978-88-97753-92-6

Earth Field Land Clay are different words that rotate around a single element: the matter, and on which the poetics of this publication is built. Earth Field Land Clay is an artist’s book, in which the theme of the process of making objects is approached by making a parallel between the process of ceramics and the geological processes of the planet. The publication presents a series of images of objects made by the participants of the workshops “making the immaterial” conceived by the author of the book and held in various cities in Italy. The book contains a critical essay written by curator Jo Melvin, on the collective processes of creating objects in relation to the territory and the transformative character of these actions.

Cinzia Pietribiasi, Pierluigi Tedes…

Memorie del suolo

€ 12

Cinzia Pietribiasi, Pierluigi Tedeschi

Memorie del suolo

€ 12

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Co-published with Imagonirmia
Introduction text by Isabella Bordoni

208 pp.
10×15 cm
ita

2023
ISBN 978-88-97753-95-7

Ten years of performance practices of the Pietribiasi/Tedeschi Company around the long term project #memoriedelsuolo told through the manipulation of a wide range of materials. A creative journey where the emotional temperature and degree of truth of the joint work of the artist duo Cinzia Pietribiasi and Pierluigi Tedeschi puts collective memory and archive in dialogue with processes, experimentations, readings, writings, stage gestures, public actions.

Aldo Grazzi

Il Tuffatore

€ 20

Aldo Grazzi

Il Tuffatore

€ 20

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128 pp
10×15 cm
ita

2023
No ISBN

Category: Artist's books

"This book is about love, life, death and resurrection. In March 2008 Carla, the love of my life, died. We had been together for 35 years and had never left each other. The painful sense of lack had created a void in me that I perceived as a half-death. Placed at the edge of that dark abyss I was distracted by a call to life. It was Evelina, also suffering from the loss of her friend. We began an almost daily email correspondence that lasted a couple of years, writing about topics suggested by our state of grief. From those very many pages I have extracted short sentences that reconstruct the dialogue at the time for this artist's book. In the front facing each sentence I drew a black vignette differentiated only by the outer outline. Black hole where everything seems to fall. Black fabric button that years ago was worn on the lapel of the jacket of mourning males." Aldo Grazzi

Meletios Meletiou

EPIDERMIS

€ 150

Meletios Meletiou

EPIDERMIS

€ 150

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Edited Gaia Bobò
Texts by Gaia Bobò, Constatinos Vassiliades, Paolo Bertoncini Sabatini, Caroline Corbetta
In partnership with Ambasciata della Repubblica di Cipro a Roma
In collaboration with Fondazione Pastificio Cerere, Neapolis University Pafos,
DIARC Dipartimento di Architettura dell’Università degli Studi di Napoli Federico II,
DESTEC Dipartimento di Ingegneria dell’Energia, dei Sistemi, del Territorio e delle Costruzioni dell’Università di Pisa

20 pp + 15 prints
24 × 16,5 cm
ita/en

2022

No ISBN

Category: Artist's books

Epidermis collects suggestions and scans of urban space, or rather of its decorative mantle, as part of an analytical practice aimed at detecting the distorions and pitfalls of the collective and democratic enjoyment of its public spaced. Cypriot artist Meletios Meltiou’s board book, of which 100 copies have been printed, consists of fifteen four-color and singe-color printed panels based on graphic elaborations in which the artist digitally shapes and molds a core of iconic patterns of hostile architecture.

Davide D'Elia

Tiepido Cool

€ 25

Davide D'Elia

Tiepido Cool

€ 25

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Edited by Emanuele De Donno, Elisa Del Prete, Silvia Litardi – NOS Visual Arts Production 
Texts by Elisa del Prete, Mike Watson
Supported by Direzione Generale Creatività Contemporanea del Ministero della Cultura (Italian Council X edition, 2021)
Promoted by Nosadella.due
In collaboration <rotor> Center for Contemporary Art di Graz

252 pp
24 × 16,5 c
ita/en

2022
ISBN 978-88-97753-84-1

Category: Artist's books

Tiepido Cool collects Davide D’Elia’s artistic research of the last fifteen years through images that follows the poetic criterion introduced by the title. The two words, Tiepido, Italian, and Cool, English, guide the succession of works in a path that privileges perceptual rather than chronological-biographical experience. Perceived by the artist as antithetical, London and Rome become the two ends of a discourse that converges at a point of balance, highlighting the duality on which his work hinges, both belonging to art and communication. Trained as a visual designer and moved to London in the early 2000s as a creative, here D’Elia began to focus on the themes of an aesthetic investigation that, upon his return to Rome in 2011, became fully conscious. The artist’s two souls complement each other by permeating “warm” works of an organic nature and “cold” works dominated by the use of iris blue antifouling paint; between the two extremes a cycle of “cool” works in which the lexicon of the buoy translates this necessary coexistence between dichotomies.
Two texts, by Elisa Del Prete and Mike Watson, antithetical in latitude, training and style, trace the guidelines for a never exhaustive reading of D’Elia’s work.

Tiepido Cool  is supported by Italian Council (X edizione, 2021), project of the Directorate-General for Contemporary Creativity of the Ministry of Culture for the production, knowledge and dissemination of creation contemporary Italian in the field of visual arts; coordinated and produced by Nosadella.due, curated by Elisa Del Prete and Silvia Litardi (NOS Visual Arts Production), in collaboration with Viaindustriae publishing and <rotor> Center for Contemporary Art (Graz), cultural partners: Musei Civici d’Arte Antica | Settore Musei Civici Bologna (Museo Davia Bargellini, Bologna); MAXXI, Museo delle Arti del XXI Secolo (Roma); Myymälä2 Gallery (Helsinki); Centre for Poetic Innovation, Universities of Dundee and St Andrews (St Andrews); Cultural Center GRAD (Belgrado).

Flavio Favelli

I Maestri Serie Oro

€ 30

Flavio Favelli

I Maestri Serie Oro

€ 30

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Curato da Elena Volpato
Coordinato da PAC2020, DGCC, Elisabetta Rabajoli
Testi di Flavio Favelli, Elena Volpato
Progetto vincitore dell’avviso pubblico PAC2020 – Piano per l’Arte Contemporanea, promossa dalla Direzione Generale Creatività Contemporanea del Ministero della Cultura.


Stampa 4 colori
128 pp.
35×26,5 cm
ita

2022
ISBN 978-88-97753-81-0

Category: Artist's books

I maestri serie oro è un’opera di Flavio Favelli composta dai 278 fascicoli monografici della serie “I Maestri del Colore” della Fratelli Fabbri Editori, uscita in edicola tra il 1963 e il 1967, fenomeno culturale di prima grandezza che rivoluzionò il mercato editoriale negli anni del boom economico. Favelli ha lavorato su ciascuna delle iconiche copertine, interagendo con la loro eleganza formale, con il loro equilibrio tra grafica e taglio fotografico dei particolari pittorici. Ha utilizzato una o più cartine dorate dei Ferrero Rocher per occultare i volti dei ritratti, le scene aneddotiche, le porzioni di quadri, affreschi e mosaici dove campeggia la figura umana. Favelli riporta le riproduzioni delle grandi opere d’arte ad uno stato di impenetrabilità, quasi di chiusa sacralità: è un gesto che mescola la cura all’iconoclastia, quasi fosse necessaria una nuova ricarica del senso per delle immagini forse troppo note, persino troppo ammiccanti nella loro conquistata emblematicità. Il libro è il catalogo della mostra dal medesimo titolo presso la GAM di Torino nel 2022. L’opera è vincitrice del dell’avviso pubblico PAC2020, promosso dalla DGCC del Minsitero della Cultura.

Mattia Pajè

1

€ 20

Mattia Pajè

1

€ 20

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Curated and coordinated by Giovanni Rendina
Iconographic research and drawings by Mattia Pajè
Graphic design by Marco Casella
Contributors: Flavia Monceri, Giovanni Rendina, Stella Succi, Bruno Paura e Mariagrazia Ciaccia, Settimo Catalano, Simone Romagnoli, Mattia Pajè.


One color printing
96 pp.
29,7×21 cm

ita

2022
ISBN 978-88-97753-82-7

Category: Artist's books

1 is an artist’s manual by Mattia Pajè containing a series of instructions for the use of paranormal techniques, related to healing and personal development – experienced by Pajè in the course of his research – which in the book are blended with notes and poetic compositions. These are accompanied by illustrations and graphic  sketches that reinterpret the contents of pseudoscientific manuals and independent blogs. The book collects six texts by different authors writing about the idea of truth, addressing the topic from the different angles. Texts by Flavia Monceri, political philosopher; Stella Succi, art historian; Giovanni Rendina, art curator; Bruno Paura, plant ecologist; Mariagrazie Ciaccia, counsellor and Hatha Yoga teacher; Simone Romagnoli, pedagogist and computer scientist; Settimo Catalano, psychotherapist. Editorial project made with the support of Fondazione del Monte, in collaboration with Art City Bologna, MamBo, Arte Fiera, Associazione BOCA e Gelateria sogni di ghiaccio. Book curated and coordinated by Giovanni Rendina. Graphic design by Marco Casella. 

Giulio Lacchini

Museo dell’evidenza

€ 15

Giulio Lacchini

Museo dell’evidenza

€ 15

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Giulio Lacchini
Testi di Lorenzo Madaro, Manuela Gandini.


96 pp.
16×21 cm
stampa cmyk
ita

2021
ISBN 978-88-97753-63-6

Category: Artist's books

“Oggi l’evidenza è tutto ciò che non siamo più in grado di osservare. È tutto ciò che è minimo, silenzioso, discreto. Tale è questo diario per immagini, un lavoro incessante di perlustrazione, un segno, una frase, una traccia, un momento di ordinaria quotidianità, una strada anonima, un paesaggio desolato, un volto, un punto, una riflessione, forme che ricordano altro, che ricostruiscono altro. […] Creare un museo immaginario di ciò che è evidente vuol dire proprio il contrario, ossia valorizzare ciò che non lo è. Uno strumento musicale che non suona: un ciclo di sculture di alcuni anni fa di Lacchini ci ha fatto comprendere la sua propensione a una dimensione altra, in cui la forma deve muoversi con disinvolta complicità con l’intuizione e, soprattutto, con la riflessione. La sua produzione editoriale, sempre più curata e intensa, è piena di sguardi verso un altrove che nel museo dell’evidenza ritroveremo tutti: sarà un luogo immaginario in cui finalmente fermarci a guardare, dando spazio a ciò che abbiamo sempre ignorato, confrontandoci su ciò che è poco visibile, rispettando tutto quel che è solo apparantemente irrilevante” Lorenzo Madaro

Laura Pugno

Over Time

€ 15

Laura Pugno

Over Time

€ 15

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Color and bw
128 pp.
22×15 cm
ita-eng

2022
ISBN 978-88-97753-79-7

Category: Artist's books

Substance with a mysterious fascination, which seems to belong to an eternal time, snow has always been a lure for explorers, scientists, and artists; an everchanging matter and at the same time solid memory of the world. Drawing on the magnetism that this element exercises on the humansoul, the artist Laura Pugno with the video installation Over Time explores the tensions and the reasons for this natural connection; the need to live, study and create snow in the time of climate emergencies.

Marco Eusepi

Untitled (La Pelle della Materia)

€ 20

Marco Eusepi

Untitled (La Pelle della Materia)

€ 20

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Curated by Giuliana Benassi
Ed. Viaindustriae publishing.


126 pp.
16,5×23 cm
ita/eng

2021
ISBN 978-88-97753-75-9

Category: Artist's books

A tree, specifically a plane tree, is the subject portrayed by the artist careless of repetition and, at the same time, of the variety used to transform it in a pictorial surface. This tree is the anonymous protagonist: that’s why “untitled2. In fact, the plane trees are horizon friends that Eusepi used to observe and study from the window of his “house-atelier” in his everyday life in Anzio. Those trees have been a constant, monotonous presence and passive interlocutors for a pictorial pretext. Eusepi considers reality and natural subjects as pictorial occasions, visual pretexts to test the grip of color on the canvas as if it were “skin”.

Viaindustriae

VIAINDUSTRIAE

Via Delle Industrie, 9
Foligno, PG
Italia

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DISTRIBUTION

International: Idea Books
Italy: Libro Co

Viaindustriae is a cultural association and publishing house based in Foligno, PG, Italy. Founded in 2005, it promotes projects and artistic research ranging from museum exhibitions, site-specific installations, public actions, artist residencies and publications in various formats. In the last ten years, the publishing activity has consolidated to become the association's main field of action. Viaindustriae publishes artists' books, experimental research books, territorial studies, exhibition catalogues, monographic catalogues - among other forms of publishing - using publishing practice as a generative tool for artistic experimentation. The books have different formats that do not follow the standards of a canonical publishing practice but rather the needs and specificities of each project. Viaindustriae sees the publishing practice as an act of translation that requires a transformation of the art or visual work into a new form, where the work itself develops new possibilities and meanings; this is why each book becomes an autonomous platform and not just an opportunity to transfer content.